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A monthly series exploring the limitless
possibilities of art animation
Metropolis Thurs. May 22
Jazztoons Thurs. June 26
Click Here for
notes about the series.
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SHOWTIMES/TICKETS |
METROPOLIS Thurs. May 22
Taro Rin. 2002. 109 min. PG-13. Japan, in English. Sony Pictures Entertainment.
"One of the most spectacular and masterly demonstrations of animation in screen history." (Globe and Mail, Toronto)
A remake and update of Fritz Lang's silent science-fiction classic, Taro Rin's Metropolis (based on a manga by Osamu Tezuka) is an acknowledged masterpiece of anime. It tells the story of a private investigator and his son who search for a missing girl in a majestically beautiful future city where humans and robots live side by side. This eye-filling animated feature has a compelling storyline and offers penetrating insights into what defines being human. Prepare to be awed. New 35mm print. |
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SHOWTIMES/TICKETS |
JAZZTOONS Thurs. June 26
(Approx. runtime: 75 min.)
No musical genre shares animation's sense of freedom, imagination, and humor more than jazz, so it's not surprising that the two art forms have enjoyed a long and happy relationship. Here's a clutch of rarely seen shorts that combine jazz with incomparable visuals. Highlights include Minnie the Moocher, a 1932 Betty Boop cartoon with unforgettable arrangements by the great Cab Calloway; Norman McClaren's extraordinary 1949 Begone Dull Care, whose animation was drawn, etched, and painted directly onto celluloid, with rollicking accompaniment by pianist Oscar Peterson; and 1957's The Adventures of an *, a typically offbeat animated journey by the great John Hubley.
Shown in conjunction with the series, "Jazz Sessions: The Greats on Camera." |
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"The Wide World of Animation" -
a monthly series
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"Independent art animation is
the vision of individual filmmakers who create art for
adults that is enchanting, exciting, whimsical, funny,
contemplative, and/or serious. Yet most audiences never
see these delightful films. Although museums such as
MoMA screen them, they are not shown regularly because
museums are designed to display still paintings and sculpture,
not film. Meanwhile, commercial movie theaters dont
show art shorts. So art animation for adults gets lost
between venues, rarely shown to the public outside of
international animation festivals.
The Jacob Burns Film Center is pioneering
programs to show art animation to a broad local audience.
For the past four summers, weve shown an animated
short for adults before each first-run feature as part
of our "Animation Shorts Suite" series.
This monthly series looks at the limitless
possibilities of art animation and also at the
incredibly labor-intensive business of producing the
hundreds of thousands of drawings that make an animated
film." |
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JBFC Animation
Program Advisor Anne Bobroff-Hajal |
For more information about film animation...
ASIFA (Association Internationale du Film d'Animation) was formed in 1960 by
an international group of animators to coordinate and increase worldwide visibility
of animated film. ASIFA's membership includes animation professionals and fans
from more than 50 countries. ASIFA sponsers animation festivals in Annecy,
Ottawa and Hiroshima.
ASIFA-East is the Eastern U.S. chapter of
ASIFA. ASIFA-East holds monthly screenings of animated films
and publishes a monthly newsletter filled with information
of interest to those in the east coast animation community,
as well as fans of the medium. ASIFA-East also conducts a yearly
animation festival, a unique showcase for the most groundbreaking
independent and commercial animation being produced in the
industry today.
Click Here for
more info about ASIFA-East.
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